Billy

And I'll never be the same

One night to be confused
One night to speed up truth
We had a promise made
Four hands and then away

Both under influence
We had divine scent
To know what to say
Mind is a razor blade

And you, you knew the hands of the devil
And you, kept us awake with wolf teeth
Sharing different heartbeats
In one night View high resolution

One night to be confused
One night to speed up truth
We had a promise made
Four hands and then away

Both under influence
We had divine scent
To know what to say
Mind is a razor blade

And you, you knew the hands of the devil
And you, kept us awake with wolf teeth
Sharing different heartbeats
In one night

The one thing I wish these girls that come to my shows knew is that they are exactly where I was when I was a teenager. I had no idea who I was! I was going through all these phases. I was trying on different outfits and all these different personalities, trying to figure out what category I fit into, and which clique I would be accepted in. But if you just keep doing ‘you’, and being who you are and doing what feels natural to you, maybe you won’t find a place where you fit in for a very long time, but you eventually will.
— Taylor Swift for British Vogue, November 2014 (via ialmostdo)

(via tswiftdaily)

This time around I’ve chosen the brave and bold way of going about things. Because with this album I’ve completely changed the sound of everything I’ve done until now. So it’s interesting to not be afraid of that. You know, I don’t want to hurt people’s feelings, I don’t want to betray Nashville, whatever, but essentially it comes down to challenging yourself as an artist.
— Taylor Swift (British Vogue, November 2014) (x)

(Source: tswiftdaily)

myonedayinparis:


Pourquoi toujours attendre ? Et plus j’attends, plus je sens le poids du temps. Plus j’attends, plus je me sens condamné. Condamné à attendre.
為何等待?我等得越久,越感覺到時間的沈重。我等得越久,越感覺被判刑。被判了等待之刑。
— 法國創作歌手 Jean-Louis Aubert, 1977年專輯歌詞

在曖昧中的人哪,見面吧!
(本圖為法國攝影師 Willy Ronis 1947 年的作品:Devant chez Mestre 在 Mestre 餐廳前)
View high resolution

myonedayinparis:

Pourquoi toujours attendre ? Et plus j’attends, plus je sens le poids du temps. Plus j’attends, plus je me sens condamné. Condamné à attendre.

為何等待?我等得越久,越感覺到時間的沈重。我等得越久,越感覺被判刑。被判了等待之刑。

— 法國創作歌手 Jean-Louis Aubert, 1977年專輯歌詞

在曖昧中的人哪,見面吧!

(本圖為法國攝影師 Willy Ronis 1947 年的作品:Devant chez Mestre 在 Mestre 餐廳前)

Well I’ve just decided to go for it because that was the gut feeling I got, that was what my intuition was telling me. As a songwriter, I try to stay really open to intuition and inspiration and impulses. I knew I had to make this album the way it has turned out. I knew I wanted it to be different than every album that I’ve done before and out of respect for the country music community who I love and adore, I felt it was best to just be honest with them about what the album was and just be very very truthful about the fact that it is a pop album.
— Taylor Swift on 1989 being her first pop album on Tout Le Monde En Parle (via immabefearless)

(Source: immabefearless, via tswiftdaily)

Jessie Ware - What You Won’t Do For Love (Live at the Cherrytree House)

(Source: youtube.com)

Jessie Ware - Say You Love Me (Official audio)

(Source: youtube.com)

tswiftdaily:

Taylor liked this on 9/27/14

tswiftdaily:

Taylor liked this on 9/27/14

(Source: tenerifeseas)

I think that everybody should just follow their heart and do their artistic best, and just enjoy their creativity. [Taylor]’s a singer-songwriter-performer, she does it all … the world is her oyster. She’s young and she needs to just do whatever she’s having fun at and I think everybody’s loving it.

Shania Twain on Taylor’s pop direction (x)

Just so you know…

(Source: tswiftdaily)

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